ABOUT SCREEN DISPATCH

Screen Dispatch is an independent film industry publication delivering informed, opinionated coverage of the global film business. We cover breaking news, box office performance, production announcements, distribution deals, awards coverage, and editorial analysis - written for people who work in film or follow it seriously.

Our coverage spans nine editorial sections including in-depth Analysis, Box Office data, Production and Distribution news, Awards coverage, Reviews of new releases, and two signature columns: The Rewatch for films worth a second look, and Development Watch for tracking projects in development.

EDITORIAL TEAM

Sally Boundian

CONTRIBUTOR

Sally Boundian is a British schoolteacher who also supports a family venture on a part-time basis. Alongside her work in education, she has been involved in this new venture since its launch at the beginning of the year.

Alan Boundian

EDITOR-IN-CHIEF

Alan Boundian was born in America, moving to England as a child, where he developed a distinct British-American perspective on cinema. Growing up between two cultural viewpoints, he cultivated a deep appreciation for both mainstream Hollywood storytelling and the nuances of British film. As Editor-in-Chief, he brings a balanced editorial vision shaped by this dual lens, with a focus on emerging voices and cross-cultural narratives within the industry.

Jiaxin Hu

FILM-REVIEWER

Jiaxin Hu is a London-based writer and strategist who views imagination as a high-value asset. Blending the vision of a novelist with the agency of a founder, she builds educational frameworks that bridge cultural divides. She writes to explore the 'ROI of human connection,' proving that romantic idealism is a pragmatic force for change.

Vics Jenkins

FILM-REVIEWER

Vics Jenkins was born in Wales and studied American Studies and History at Aberystwyth University. Expect no fluff from this truthful critic. A science fiction enthusiast and writer, she has contributed to Scribbles Magazine and has completed her debut sci-fi epic, a 200,000-word novel. She has also finished a standalone thriller, and is currently developing prequels and sequels directly connected to her dystopian sci-fi world, all with a view toward publication.